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chorus
NeverEnding Story
aroginsk251
1:18 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 21 1 6 88%
Bass 19 22 2 5 87%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 21 1 6 88%
Bass 19 22 2 5 87%
Voice Treble 9 0 0 4 78%
Treble 9 0 0 4 96%
 
Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]
Jamie Holdham
0:36 Est. Play
Time
90 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
FAGOTTE.		 Bass 15 7 1 4 100%
4
VENTILHORNER in
E.		 Treble 17 18 2 4 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
FAGOTTE.		 Bass 15 7 1 4 100%
4
VENTILHORNER in
E.		 Treble 17 18 2 4 100%
BASS. Alle
Männer.		 Bass 9 0 1 4 100%
BRATSCHEN. 8 0 1 4 100%
Contrabasse. Bass 8 0 1 4 100%
Erste
Violinen.		 Treble 9 1 1 4 100%
TENOR. Alle
Männer.		 9 0 0 4 100%
Tuba. Bass 13 0 1 4 100%
Violoncelle. Bass 9 0 1 4 100%
Zweite
Violinen.		 Treble 9 0 1 4 100%
3
GROSSE
FLOTEN.		 Treble 9 0 0 4 83%
3
CLARINETTEN in
Bb.		 Treble 14 15 2 4 67%
3
HOBOEN.		 Treble 14 15 1 4 67%
KLEINE
FLOTE.		 Treble 7 0 0 4 58%
PAUKEN. Es.
u.
B		 Bass 4 0 2 4 33%
2
TENORPOSAUNEN.		 4 2 0 2 8%
3
VENTILTROMPETEN in
E.		 Treble 2 1 0 2 8%
BASSPOSAUNE. Bass 2 0 0 2 8%
 
Dido and Æneas, No.35: Chorus - Great minds against themselves conspire
Voorburgs Operakoor
0:52 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 34 4 6 100%
Bass 22 14 3 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 34 4 6 100%
Bass 22 14 3 4 100%
A Treble 9 0 1 5 76%
S Treble 11 0 3 6 76%
T Treble 8 0 1 5 76%
B Bass 12 0 1 7 71%
Dido Treble 6 0 0 5 24%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE
Papibois
1:06 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 23 5 6 88%
Bass 22 21 4 6 88%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 23 5 6 88%
Bass 22 21 4 6 88%
Basse Bass 9 0 4 3 64%
Tenor
1		 Treble 9 0 2 3 64%
Tenor
2		 Treble 9 0 2 3 64%
Soprano
1		 Treble 8 0 1 2 60%
Soprano
2		 Treble 7 0 1 2 60%
Dulcamara Bass 12 0 4 4 57%
Adina Treble 7 0 1 3 43%
Belcore Bass 6 0 1 3 14%
 
Somebody That I Used To Know- Unfinished
Danklean
0:19 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 6 0 0 5 90%
Treble 5 0 0 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 6 0 0 5 90%
Treble 5 0 0 5 100%
Alto Treble 8 0 0 4 80%
Treble 12 0 0 5 75%
 
Andre Campra - Messe de Requiem. [I. Introit.] {Professional production full score.} Unfinished.
Jamie Holdham
1:14 Est. Play
Time
79 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 2 4 100%
Viola 8 0 0 6 92%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 2 4 100%
Viola 8 0 0 6 92%
Violine
1		 Treble 13 0 1 5 92%
Violine
2		 Treble 8 0 0 4 92%
Chor
5		 Bass 2 0 0 3 13%
chor
1		 Treble 2 0 0 1 8%
Chor
4		 Bass 1 0 0 1 4%
 
Messiah| No.39: Their Sound Is Gone Out
Pete Alan
1:21 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 4 6 100%
Viola 15 0 3 7 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 4 6 100%
Viola 15 0 3 7 100%
Violin
1		 Treble 22 0 5 9 100%
Violin
2		 Treble 21 0 5 8 100%
Oboe
1		 Treble 16 0 4 8 95%
Soprano Treble 14 0 3 7 95%
Tenor Treble 13 0 3 5 95%
Oboe
2		 Treble 16 0 2 7 92%
Bass Bass 15 0 2 6 87%
Alto Treble 9 0 1 7 84%
 
There's a Wideness in God's Mercy
Marco5
0:16 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 12 2 3 100%
Bass 13 15 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 12 2 3 100%
Bass 13 15 2 3 100%